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Art not only reflects the evolution of social structures but also the
evolution of conscience. Modern-day artists are forced to deal with
problems that artists of previous centuries were unaware of. While
conscience of form of ’classical’ artists was considered to be the
awareness of an autonomous, coherent ’I’, non-linear — informal,
anti-aesthetic, pluralistic — aspects of contemporary art tend to
expand the ’I’, to explode it, to transcend it, while seeing it in its
conditionality.